Semarang Ska Festival 2015



Semarang Ska Foundation, Eplaza & Heineken Present :
"Semarang Ska Festival 2015 Welcome Party"
Friday, Oct 16 2015. 9pm - end
Featurings :
-DJ Bobby (Aggroboss Soundsystem)
-Sir ManMan (Lucky Soundsystem)
-Juik Cobra (Rombong Reggae)
-Djoha (Fever Soundsystem)
-Dr. Yess (Fever Soundsystem)

Opening act by: Atlas City Selecta
RSVP :
-Martha: 081393893399
-Astrid: 081325036536
-Vivi: 085200929151

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AGNOSTIC FRONT | The American Dream Died - 2015


Roger Miret and Vinnie Stigma keep AGNOSTIC FRONT's hardcore train rolling full-steam into its third decade, notwithstanding the band's brief hiatus during the mid-Nineties. Though both men have since ceased performing in MADBALL, Miret's half-brother (and MADBALL vocalist) Freddy Cricien remains allied as producer of AGNOSTIC FRONT's seething eleventh album, "The American Dream Died". Cricien also appears in a cameo alongside H20's Toby Morse and SICK OF IT ALL's Lou Koller on "Never Walk Alone". Plus there's a collaboration with former AGNOSTIC FRONT and MADBALL guitarist Matt Henderson on "A Wise Man".
Miret and Stigma are fortified by Mike Gallo (bass), Pokey Mo (drums) and Craig Silverman now in place of departing guitarist Joseph James as AGNOSTIC FRONT begins its campaign in support of the sixteen song "The American Dream Died". The track count shouldn't be too intimidating since AGNOSTIC FRONT plays "The American Dream Died" like a vintage hardcore album, mostly fast in speed and in time. "Enough is Enough", "Reasonable Doubt", "I Can't Relate", "Attack!" and "No War Fuck You" are prime examples.
While a good handful of the songs on "The American Dream Died" delve the tried and true hardcore unification ethos (i.e. "Test of Time", "We Walk the Line", "Never Walk Alone", "Attack!" and "Just Like Yesterday"), expect the equally reliable incendiary tirades against war, the authorities, despotic government, exploitive business and street scum.
"Police Violence" is sure to raise a stink with its horde bellowing of "FTP!" (as in "fuck the police"). The track is reminiscent of old MDC (which changed its acronym connotation numerous times but will always be remembered by hardcore vets as MILLIONS OF DEAD COPS) with its searing pace and hostile backlash in response to recent headlines of American police brutality. "Only in America" and "Test of Time" are equally fast, stuffed with Roger Miret's bellicose squelching, powerful riffs and of course, plenty of gang shouted-choruses.
If it's gang shouts and sing-alongs you're after, "Never Walk Alone" will be your jam. Or perhaps "Old New York", which opens with a quip from "Taxi Driver" and stomps giddily along to the choruses of "The greatest city of them all, but it just don't feel the same, I miss the old New York!" "We Walk the Line"'s menacing chords and marching rhythms are just as infectious as its choruses. Then the reflective ending track "Just Like Yesterday" will have hardcore lions of all ages raging "Death before dishonor!" in tandem with the band.
Roger Miret spitefully snarls "You got what you deserved!" against a child rapist served a citizens' knife party amidst "Social Justice"'s steaming speed. For longtime AGNOSTIC FRONT fans, this album is going to feel like the days of "Victim in Pain", "Cause for Alarm" and the "United Blood" EP with a modern veneer. Miret and company have engineered another blistering, attention-seizing album with nearly as much venom as BLACK FLAG's "My War", still today the angriest song ever laid down by anybody. AGNOSTIC FRONT's acrimonious crusade may ring of the same themes they started out with, but that's sadly testament to the persistent issues they continue to protest. At least they still care. A great deal.
For you vinyl hounds, AGNOSTIC FRONT will be offering a download code inside "The American Dream Died"

Skinhead Culture is Alive and Well On The West Coast


Suburban Rebels zine pulls together the best of the hardcore, punk and Oi! scenes from the Bay Area and beyond.

Pete Markowicz aka Big Skinhead Pete raised hell with his crew of fellow skinheads growing up in Bergen County, New Jersey. They drank, caused trouble and got mean in the mosh pit at hardcore and Oi! shows. Writing about bands nobody else cared about was the only thing that finally got him through high school – after six years of trying and one expulsion. Almost two decades later, and from the other side of the continent, Pete’s giving back to the culture he credits with saving his life. His zine Suburban Rebels pulls together the best of skinhead culture from the Bay Area and beyond, and brings the best punk, hardcore and Oi! bands to the masses in black and white photocopied form.  

When and why did you start making zines?
I wrote for the music sections of both college papers at the schools I attended in New Jersey. It took me six years to graduate, haha. I even got kicked out but somehow talked my way back in and graduated. I failed all my classes but the only thing that kept me there was writing about music that no one cared about and having it printed. I interviewed an Oi! band called Criminal Intent (bizarre to think about an Oi! band being in a college newspaper) and reviewed records like the first Transplants album. I moved to California and started to meet people in the Oi!/street punk/hardcore scene out here and it was a bit quiet with the whole Oi! skinhead scene in the Bay Area. I’ve been going to shows since I was 13 years old. This is my life. I don’t just want to take, I wanted to give something back to the scene that saved my life. Music has gotten me through really hard times in my life and has given me a place to belong with other people who can’t relate to society and think differently. The outsiders. I was never good at playing an instrument, so I took my writing skills and creativity and started a zine. It’s my outlet for the bullshit of everyday life. I guess it’s my calling in life, I don’t know. I like having a zine and Suburban Rebels has grown over the past 5 years into something I am proud of.  

What do you like about the medium?
It’s old school. I would rather have a physical copy of a book than a PDF; a record rather than an MP3. Computers make things easier but in a way, it’s ruining that connection you have with that object you can hold in your hand. I’m taking it back to ’77!

 

What’s Suburban Rebels all about?
Music for social outcasts! It started out as just an Oi! zine but has branched out a bit. It’s still for all the skinheads out there and anyone that likes and respects the subculture.

How do you go about creating each issue and how do you choose the stories and artwork? Interviewing bands gets the ball rolling. I have interviewed (or attempted to interview) every band I love and respect. The artwork is chosen based on how I’m feeling at the time or just what flows and fits the page. I pretty much write about things I care about, I don’t care if people like it or not. I created artwork based on the Zodiac killer in San Francisco once. I used to live in the neighbourhood where he killed the cab driver. The street corner was near my apartment. It’s a very chilling and terrible thing. Some people might be offended by that. Things like that influence my work but it’s mostly skinheads and things I relate to.  

What do you do for a living and how does zinemaking fit into your life?
  I work in a boring office that deals with processing documents. Sometimes it gets interesting when a celebrity comes up but most famous people suck anyways (insert the Anti-Heros song “Fuck Hollywood”). I don’t have much time to work on the zine because of being a Dad and working a full time job. But I do sneak in working on the zine at work, just like I’m working on this interview, hahahahhahah!  

Have you swapped Suburban Rebels for any good zines?
I did once but I can’t remember the name of the zine. It had an interview with my brother Lars Frederiksen of the Old Firm Casuals in it.  

What are your favourite zines?
Quality of my Life by my long time friend, Jesse Gasface. He was maybe the first skinhead I met back in my youth and we caused trouble, drank, had a crew B.C.T. (Bergen County Thugs) in New Jersey that looked out for each other at hardcore and Oi! shows, and had a lot of fun! His zine was a big inspiration for Suburban Rebels. Watch out for Gasface in the pit, he’s a mean one! Oi!

Source 

Rancid - Honor Is All We Know 2014

 ...Honor Is All We Know is the eighth studio album by the American punk rock band Rancid, released on October 27, 2014

Honor is all we know track list
1. Back where I belong
2. Raise your fist
3. Collision course
4. Evil's my friend
5. Honor is all we know
6. A power inside
7. In the streets
8. Face up
9. Already dead
10. Diabolical
11. Malfunction
12. Now we're through with you
13. Everybody's sufferin'
14. Grave Digger
Download 

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Immortal punk #2

ini klanjutan dari immortal punk 1 kalo gak salah tahun 2001
gigs sriwedari boot bois..

semangat djoeang group

Internet Gratis Tri AON Nol Kuota Dengan Domain Dot tk TUTORIAL

Daripada bengong.. langsung aja ke TKP Gan
ikutin step2nya..



                                                                                       selamat mencoba..

Kingkong vol.2


Perhelatan akbar gigs atau reuni para punkers se-Jakarta dan kota-kota sekitarnya akan diselenggarakan tinggal hitungan hari. Punk atau musik yang beraliran punk di Indonesia khususnya di Jakarta mempunyai ceritanya sendiri, dibandingkan dengan aliran musik lainnya seperti Pop, Metal, Rock dan Reggae. Punk mempunyai komunitas atau penikmat tersendiri di kalangan anak muda di Indonesia. Di Jakarta sendiri, Punk mempunyai fenomena yang bisa dibilang pasang-surut. Susahnya izin oleh pihak atau aparat setempat, membuat komunitas ini membuat “mandek” untuk masalah gigs. Berbeda dengan aliran musik pada umumnya, yang jika mengadakan konser dengan mudah disetujui oleh aparat, dan satu lagi mempunyai banyak iklan yang perkara financial bisa dibilang tak ada masalah. Punk adalah sebuah perlawanan tentang itu semua, menolak adanya “embel-embel” iklan, dikerjakan secara kolektif  dan bergotong-royong. Seperti yang sudah diketahui atau dijalani para punker yang memiliki pedoman do it yourself atau sering disebut dengan D.I.Y. dengan rasa kebersamaan yang tinggi, maka Komunitas Punk Jakarta, membuat gigs yang melanjutkan gigs tahun lalu, dan tahun ini, Pakalolo Records membuat gigs yang ia beri nama “Kingkong vol. 2”. Seperti melanjutkan atau meneruskan tahun sebelumnya, Kingkong vol. 2 ini akan menampilkan band-band punk yang sudah malang-melintang dan tetap konsisten di jalur punk yang antara lain : Molotov Cocktail, The Tot, Fisticuff 86, Chaos RI, Kremlin, Klepto, Total Distroy, Last Drive, dan masih banyak yang lainnya. Kingkong vol.2 ini akan diselenggarakan di Plaza Selatan Gelora Bung Karno Senayan Jakarta pada hari Sabtu 21 Februari 2015, mulai pukul 12.00-19.00 WIB.
Ini mungkin adalah hajatan Punk terbesar tahun ini di jakarta bahkan di Indonesia. Kawan-kawan yang ikut mengisi acara ini tak hanya band dari Jakarta dan Tangerang. Tapi dari Jogjakarta, Pemalang, Temanggung dan dari punk pantai utara kota Indramayu. Sebagai komunitas yang masih dipandang sebelah mata oleh masyarakat masa kini, para pelaku punk tetap akan membuktikan bahwa punk tidak kriminal dan tidak vandalism. Dan sudah saya bahas di awal, bahwa acara ini tidak ada iklan yang menopang atau memback-up. Maka dari itu, tiket presale sudah dijual dari beberapa waktu lalu yang harganya Rp. 20.000,- dan untuk on the spot beda Rp 10.000,- yaitu menjadi Rp. 30.000,-. Jika kawan-kawan ingin atau acara ini akan terus berlangsung setiap tahunnya, maka belilah tiket. Karena kita (punk) atau panitia bisa membuat acara dari hasil pembelian tiket kalian dari itulah acara ini terselanggara. Hargai jerih payah Pakalolo yang sudah membuat acara sebesar ini, yang mungkin di kota-kota lain sulit terlaksana karena masalah izin dan tentu saja dengan biaya.

sumber 
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