Queercore: How to Punk a Revolution ~ Movie
A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.
watch full video below
Turn It Around: The Story of East Bay Punk trailer features Billie Joe Armstrong, Kirk Hammett, Tim Armstrong, and Iggy Pop — watch
Turn It Around: The Story of East Bay Punk
Is a new full-length documentary covering over 30 years of history of the California Bay Area’s punk scene, with a focus on the emergence of Berkeley’s 924 Gilman Street music collective. The Godfather of Punk himself, Iggy Pop, narrates the film.
The documentary was directed and produced by Corbett Redford, with Green Day serving as executive producers. It will have its world premiere on the opening night of the 16th San Francisco Documentary Film Festival on May 31st.
Subsequently, there will be screenings in tandem with the US leg of Green Day’s Revolution Radio World Tour. There will also be a theatrical campaign launching in New York City in late July, followed by a run in Los Angeles in mid-September. In anticipation, a full trailer has been unveiled.
Green Day and Rancid’s success is just part of the story — the roots of East Bay punk rock go deep. Turn It Around: The Story of East Bay Punk premieres May 31 at the San Francisco Doc Fest (SF IndieFest). http://bit.ly/2rSC1Wu
Posted by Turn It Around: The Story of East Bay Punk on Thursday, May 25, 2017
Green Day’s Billie Joe Armstrong, Noodles of The Offspring, Kirk Hammett of Metallica, Jello Biafra of Dead Kennedys, Kathleen Hanna (Bikini Kill, The Julie Ruin), and Tim Armstrong (Operation Ivy, Rancid) all make appearances in the jam-packed trailer.
Spliced between their fond memories of the scene are images of the type of mayhem that went on at 924 Gilman Street, from confetti parties to tricycle races. Watch the full thing above.
“Turn It Around gave us the opportunity to tell the story of the East Bay punk rock scene, a scene that’s a sacred thing to me, Mike and Tré and to a lot of others who were there at the founding and who helped to shape the genre,” Billie Joe Armstrong shared via press release.
“We’re proud to bring the history of this movement to the world and hope the film inspires people to create their own music and to build an artistic community.”
You can see a full list of upcoming screenings at the film’s website.
Blink-182 share new song “Parking Lot”
Blink-182 has announced a deluxe edition of its 2016 album, California. Coming May 19th via BMG, the reissue includes 12 new bonus tracks in addition to the 16 original songs.
Amongst the additional tracks is the rarity “Hey I’m Sorry”, originally available only on the Japanese version of California. There’s also an acoustic version of the record’s lead single, “Bored to Death”. As for the purely new material, some of the track titles include “Don’t Mean Anything”, “Bottom of the Ocean”, “Last Train Home”, and the classically ridiculous “Can’t Get You More Pregnant”. There’s also “Parking Lot”, a pummeling bit of pop-punk that shouts out Naked Raygun, The Violent Femmes, and Chicago’s famous Metro venue. Take a listen via the lyric video below.
Pre-orders for the California deluxe edition are going on here. Find the tracklist below.
California DLX Tracklist:
01. Cynical
02. Bored to Death
03. She’s Out of Her Mind
04. Los Angeles
05. Sober
06. Built This Pool
07. No Future
08. Home is Such a Lonely Place
09. Kings of the Weekend
10. Teenage Satellites
11. Left Alone
12. Rabbit Hole
13. San Diego
14. The Only Thing That Matters
15. California
16. Brohemian Rhapsody
Bonus Tracks:
01. Parking Lot
02. Misery
03. Good Old Days
04. Don’t Mean Anything
05. Hey I’m Sorry
06. Last Train Home
07. Wildfire
08. 6/8
09. Long Lost Feeling
10. Bottom of the Ocean
11. Can’t Get You More Pregnant
12. Bored to Death (Acoustic)
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Hammersonic announce hardcore metal band Earth Crisis for this year’s edition
Southeast Asia’s biggest metal festival Hammersonic announce hardcore metal band Earth Crisis for this year’s edition which will be held the weekend of May 7. Earth Crisis has also put up the following on their facebook page:
Pokemon GO: Trading, Breeding, New Pokemon Coming (ComicCon News)
The Pokemon Go panel at San Diego Comic Con revealed the leaders of Team Valor, Mystic and Instinct.
IMPERIUM (2016) - Daniel Radcliffe Neo-Nazi - Official Trailer
Imperium
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Nate Foster (Daniel Radcliffe), a young, idealistic FBI agent, goes undercover to take down a radical white supremacy terrorist group. The bright up-and-coming analyst must confront the challenge of sticking to a new identity while maintaining his real principles as he navigates the dangerous underworld of white supremacy. Inspired by real events, IMPERIUM stars Daniel Radcliffe, Toni Collette, Tracy Letts, with Nestor Carbonell, Burn Gorman and Sam Trammell.- Written by Lionsgate Premiere
Imperium with Daniel Radcliffe - Official Trailer oleh FanReviews
Black Bear Cancels Oi!Fest Amid Antifascist Protest, Nazis Move to Santos Party House
Feeling the force of antifascist pressure from NYC Antifa and others, the Black Bear Bar in Brooklyn finally decided to cancel the Oi!Fest 2016 skinhead concert they were hosting. The bar had provided cover to the neo-Nazis organizing the concert, just as they did previously by supporting the neofolk Operation Equinox tour, using the few multi-racial members of the skinhead bands as a cover. As people have noticed, this group of nationalist skinheads have reached out to nationalists of color to create a more “multi-racial” fascist subculture, and one that often confuses those looking for traditional racial separatism.
It was this multiracial character that Black Bear used to defend themselves as antifascists descended on their social media. On Facebook, they spent all evening defending themselves against allegations of aiding Nazi gangs. People from around the country, but especially New York, posted on there, sharing stories of Black Bear regularly supporting “Rock Against Communism” shows and using traditional Nazi insignia in the bar. The bar repeatedly tried to point to Asian and Latin American members of some of the bands as proof that this was a non-racist skinhead show, yet members of the community immediately posted information about neo-Nazism in Latin and Asian communities that they were attempting to create alliances with.
In a recent article, the Southern Poverty Law Center took a special look at the inclusion of people of color in this otherwise racialist scene . They pointed out that many of these street fascist movements, which this brand of skinheads inhabit in the United States, have had several attempts to “rebrand” themselves using a tenuous multi-racial alliance.
They go on to outline the violent homophobic and nationalist lyrics of bands in the Oi!Fest line-up, including Brassic. They have allowed Nazi skinhead crews to make Oi!Fest an annual meet-up point, and bands like Brassic have had explicit Nazis set up their shows around Europe.From the 1980s to the mid-2000s, the dominant brand within the far-right sector of skinhead subculture was neo-nazism, and such interracial co-mingling would have been unthinkable. In truth, there have always been skinheads of varying degrees of “whiteness” across the world who have sought to uphold strains of far-right politics.
A prime example of how race is falling away as the dominant organizer within the extremist skinhead music scene occurred in 2013.
Bound For Glory, one the first neo-nazi skinhead bands to emerge here, toured Japan with Aggro Knuckle, one of that country’s oldest skinhead bands. The two also released a split-record together. In that way, NYC Oi! Fest is an important microcosm of the landscape of “hate music” worldwide. Last year’s installment brought bands to New York City from as far away as Finland and Mexico.
“Oi,” after all, encapsulates a broad range of skinhead-oriented punk and rock ‘n’ roll. Most Oi! fests and concerts book bands who offer little-to-no political overtones or messages. Their songs and the shows themselves often revolve around drinking and other subcultural markers, like banal expressions of patriotism. By inserting “Oi!” into its title, the fest’s promotors –– Dennis Davila of United Riot Records chief among them –– are putting forth their version of what skinhead identity and music should exist as, while directing hostility towards outsider and those they “other.”
There is, of course, historical precedent for this. Efforts to reframe skinhead identity and music were first undertaken by the neo-Nazi political party National Front in England in the early 1980s. The efforts of those organizing NYC Oi! Fest –– a long-standing crew calling itself the 211 Bootboys, of which Davilia is a member –– aren’t wholly dissimilar from the National Front’s attempts to attract skinheads to their worldview.
Anti-fascist writer Spencer Sunshine outlines the complicated nature of these seeming “multi-racial” alliances that we are seeing in this skinhead event, as well as in circles like National Anarchism and radical traditionalist circles.
Today, neo-Nazis and the Ku Klux Klan are no longer the only groups that endorse White separatism. This is partly due to the secessionist fever that has spread across the U.S. Right, uniting Right Libertarians, conspiracy theorists, Christian theocrats, Sovereign Citizens, neo-Confederates, and traditional White separatists. New groups advocate “pan-secessionist” ideology, and seek to unite the right-wing secessionists with those traditionally closer to the Left, like (bio)regional separatism in Vermont and Cascadia, former Leftist Kirkpatrick Sale’s decentralist Middlebury Institute, and nationalist organizing by those who, in the old anti-imperialist terminology, are “oppressed nations” (Native Americans, African-Americans, Latinos, and other people of color).
However, the most contentious question today is the direct participation of people of color in groups that espouse White separatism as part of their ideology. Loosely organized groups like National-Anarchists, Attack the System, and New Resistance, which actively embrace White separatism as part of their decentralized schema, should be excluded from progressive circles—including people of color who are members of these groups. This also includes members of groups that are multi-racial, but which promote this political view.
In addition to these groups, some people of color are involved in openly fascist circles. Neo-Nazi groups are active in countries such as Brazil, Chile, Mexico, Colombia, Mongolia, and Malaysia; and members of these movements reportedly have ties in the United States.
In the past, Leftists excluded White people affiliated with groups that espoused White separatism, such as White Aryan Resistance (WAR) and Aryan Nations. But this new secessionism is more complicated; for example, it has led to the spectacle of people of color advocating for the legitimacy of White separatism—by claiming either that all separatism is good separatism, or that a program of complete reciprocal racial separatism requires that all groups have their own geographical enclave.
Cooperation between racial separatists of differing backgrounds is a long-standing tradition. In the 1930s, when Mississippi’s arch-racist Senator Theodore Bilbo publicly called for the expulsion of African-Americans to Africa, members of Marcus Garvey’s movement (themselves proponents of African-American emigration to Africa) approached Bilbo as a potential collaborator. The Nation of Islam (NOI) also has a history of associating with White nationalists, including the Ku Klux Klan and the American Nazi Party; Malcolm X cited these associations as one of the reasons he became disgruntled with NOI. WAR’s Tom Metzger has supported and donated money to NOI and has addressed the New Black Panther Party (NBPP). In Florida, one Black separatist organization even held joint demonstrations with a local Klan group.
However, calling for the exclusion of all supporters of White separatism should not be mistaken for a call for progressives to exclude activists who endorse nationalist forms of separatism for people of color, including Black, Native American, or Latino nationalists. It is only the advocacy of White racial separatism that is at issue. While the acceptance of what is called the “right to national self-determination” of racial and ethnic minorities as congruent with larger left-wing goals is not without its critics (including myself), it has a long-established history on the U.S. Left, and its advocates have included the Black Panther Party, the American Indian Movement, and the Young Lords. However, irrespective of the debates around it, national self-determination by an oppressed group of people is completely different from the “right” of White separatism. White separatism has never had a place in the Left, and its structural function is to reinforce—and not attempt to escape (regardless of whether this would work in practice or not)—existing social hierarchies. In the United States, White people as a group are firmly in control of the majority of economic resources and social power. White separatism is comparable to espousing gated communities for the rich: its purpose is to physically express existing hierarchical social and economic structures.
This type of alliance is something that white nationalists in all circles are going to continue to try and pull from in an attempt to show that “fascism is for everyone.” Even the most recent American Renaissance conference had a Mexican speaker discussing racial nationalism, and they occasionally post that they have Latino participants in their crowd who are there advocating for their own racial separatism. Japanese nationalism, often tied to romantic notions about Imperial Japan and national Shinto, is a special favorite for this crowd, and often is used by white nationalists as proof that they have a coherent ideology that is not just a vessel for angry bigotry. There are very few people of color associating with these white nationalists, but it is a rhetorical strategy that has helped to neutralize opposition who are not aware of these strategic developments on the far-right.
The show is actually being moved to the Santos Party House, having just been announced at 3:30pm EST. That venue is co-owned by rocker Andrew W. K, who very well may not know what is going on. Fascists are hoping that the antifascist opposition will miss this news, but with a growing contingent in New York City looking to shut it down it will be hard for them to hide. NYC Antifa will be calling for a boycott of Santos Party House if the show is successfully held there.
Contact them and let them know what you think!
SANTOS STAFF:
Chip Su: 212-584-5492, booking@santospartyhouse.com
Bryan: bryan@santospartyhouse.com.
Jackalyn Tipchaieuh: live@santospartyhouse.com (out of the office but send her an email anyway!)
also: info@santospartyhouse.com
FACEBOOK: www.facebook.com/santospartyhouse
INSTAGRAM: www.instagram.com/santospartyhaus
Also let Andrew W.K. know what is going on!
ANDREW WK on Twitter:
https://twitter.com/AndrewWK
Big thanks to NYC Antifa for all of their research and work!
Nazi Skinhead (Bonehead) Concert To Be Held at Black Bear Bar in Brooklyn
A crowd of skinheads and Nazi punks are feeling so emboldened in Brooklyn that they are having another party in Williamsburg tonight. Today is Oi!Fest, a Rock Against Communism show that neo-Nazi skinheads attempt to have annually.
RAC is the alternative to the more left-leaning working class street punks and Oi! Scene, where RAC is an explicitly “white power” contingent that birthed the “white noise” movement. While the Nazi skinhead culture has waxed and waned, white noise music has been one of the best recruitment tools for the most extreme edge of the violent white nationalist movement.
OiFest! 2016 had been organized in relative secret as most of the skinheads at its reigns know it would be shut down if their venue is revealed too soon. Yesterday they had a large pre-party that brought out their crews and supporters at the Red Star bar in Greenpoint, a well known sports-bar in the area.
Tonight they are going to be having the first of two shows for Oi!Fest 2016 at Black Bear on North 6th avenue in Williamsburg. Black Bear has already caused controversy by hosting the Project Equinox tour from Heathen Harvest, with a line-up of well-known Neofolk bands with nationalist leanings.
It is unsure whether or not Black Bear is the venue for tomorrow’s show as well. The bands for Oi!Fest include well-known skinhead fare like OxBlood, Close Shave, Offensive Weapon, and Battle Zone.
Below we are listing all of the information for Black Bear, their social media, yelp, and contact information. Call in and let them known what you think about their choice to host a violent neo-Nazi show. This is an organizing tool that has real consequences and these events have a track record of being center points for violent racist attacks.
Blackbearbk.com
Phone: 917.538.8399
Address:
70 N 6th St
Brooklyn, NY
sourceMuhammad Ali changed my life: Will Smith
London: Hollywood star Will Smith has credited Muhammad Ali changing his life after portraying the boxing champion in the 2001 biopic Ali.
Ali died on June 3 at the age of 74, following a 32-year battle with Parkinson's disease. His passing emerged days after he was admitted to a medical center in Phoenix, Arizona, for respiratory complications.
Smith, who earned his first ever Oscar nomination for his role as the outspoken sports star in Ali, took to Facebook to honour the man he had come to call a friend.
"You shook up the World! My Mentor & My Friend. You changed my Life. Rest in Peace," the 47-year-old actor wrote.
Smith also shared two photos of himself with the late legend, including one behind-the-scenes shot from the making of Ali.
Smith said channeling the heavyweight champion was "the greatest of all times. The champ looked at me and gave me the nod that I did a good job. I worked as hard as I could possibly have worked."
Last year, Smith presented the Muhammad Ali Legacy Award to Jack Nicklaus at Sports Illustrated magazine's annual Sportsperson of the Year dinner where he praised The Champ.
"But when we think about the legacy of Muhammad Ali, what he did in the ring is not what we think about," said Smith. "For nearly two years, I worked to transform myself into the man who changed his name from Cassius Clay to Muhammad Ali and shook up the world.
That's really what makes my job so beautiful as an actor," Smith continued. "For four or five months at a time, I get to wear people's lives, so I got to wear Muhammad Ali's greatness.
I got to study and feel and embody the soul of the man. From the foundations of Islam and the strength of his Muslim faith and his life to the beautiful wake that he always leaves in his magnificent path."
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